Places Unknown’s Neighborhood

Such a nice night for mid-November at the 400 Bar. Athletes in Slacks (myspace) warmed up the crowd with their laidback loungey harmonizing sound that only two keyboarders and a guitarist can produce. The band claims all their songs are about love, except later on their hour-long set, they introduced a song about hating two guys from New York. They did finish strong with a cover of INXS's "Never Tear Us Apart", and that's what really matter.

The first time I heard about Swedish band Little Dragon, was in January. Ceji was really into them. Since we generally like Swedish bands here, I did try and keep up with their whereabouts. As it turns out, they're in the middle of their tour through the US to promote their sophomore album, Machine Dreams. Although the band's been here already, they confessed last night that this was their first time in Minneapolis.

They didn't do Ceji's favorite "Recommendation" song, but I though hands-down their best song played was "After The Rain", complete with an amazing ending.

From what I heard from their live set, their new songs seems to drifts from the R&B and Jazz influence to more electro and beats. I think the combination works well for them, especially since I like their big beats/electronica sound.

Little Dragon

So one thing I should point out is that singer Yukimi Nagano's dance moves looks very martial and yoga-like. She's often doing this tough smirk and her fists in boxing stance. It's as if she's saying, "bring it on". The way she dances and handles herself, she seems like she was born to be an entertainer.

I've been to a lot of shows lately, and I can tell you that this was one of the best shows yet. They're heading their way to the East Coast, so definitely check them out. If they're not heading through your city, you should check out Machine Dreams, out now on Peacefrog Records.

The Maladies

The Maladies - Album Launch - Oxford Art Factory

It was a dark and stormy night.... well, less stormy and more irritatingly rainy.... anyway it was a night to venture out for the purpose of viewing the album launch show of Sydney boys, The Maladies. 

Playing a bunch of songs from their debut album, With You Right By My Side, Baby The Deal Just Can’t Go Down, it was a pretty fine show, I must say. Loud, dirty, bluesy rock, from foot tap inducing tunes to slow, sullen mini-epic songs, but still not quiet. I'd never actually been to a Maladies show before so I was not sure what to expect. Thankfully, it wasn't disappointing in the slightest. I can only assume that the horn section and the back-up lady singers might have been a special occasion for album launching purposes, possibly not the correct sized stage for so many people to squish on to, but you really can't go wrong with a very large saxophone. All the same, quite impressive musicality, the entire band (including back-up musicians on this particular occasion) didn't put a foot wrong. Nice.

Ask me to name a track. Well no, I can't because I am yet to acquire a copy of the album, but i can assure you, that either catching a Maladies show and/or purchasing your very own copy of With You Right By My Side, Baby The Deal Just Can’t Go Down is quite a good idea.

If you are in Brisbane or Melbourne you are in luck because there's more shows to be played:

19 Nov - The Step Inn Fortitude Valley, Queensland w Mexico City & Sue Ray           

27 Nov - The Tote Melbourne, Victoria. w James McCann’s Dirty Skirt Band, Black Pony Express & Little John.           

 

An honourable mention also has to go to Jamie Hutchings. I'm sure he's being playing shows in some form or another since before the dawn of time. Always enjoyable.... and, it seems, about to embark on a tour of europe, so if you're over that way, be sure to keep your eyes and ears peeled. Or maybe just look at his website for tour dates (might be easier).

The Maladies - http://www.myspace.com/themaladiesband

Jamie Hutchings - http://www.myspace.com/jamiehutchings

The Rocketsmiths

The Rocketsmiths

The Rocketsmiths.... brought to me by facestalk.... but really.... considering the vast volumes of bands that pop up via the internet I must admit this offering from The Rocketsmiths is not too shabby at all. Not what i'd usually admit to listen to. 

Anyway, a neat little tune named Doctor has landed on my earpod, and i must say I like it. It's simple, it's pounding, straight down the line. Punk pop, short and sweet. A five piece from Brisbane, The Rocketsmiths have been around for some time (well, since 2006 at least) and released a handfull of EP's. Well worth further investigation.

Tour dates for the Doctor tour... here:

20 Nov 2009 - MUM at World Bar, Kings Cross, Sydney,

21 Nov 2009 - The Clubhouse (formerly Empire Corner Bar), Fortitude Valley

The Rocketsmiths -http://www.rocketsmiths.com/

Fan Death

Fan Death

Well, according to Wikipedia (an obvious reliable source) Fan Death is "a South Korean urban legend which states that an electric fan, if left running overnight in a closed room, can cause the death of those inside (by suffocation, poisoning, or hypothermia)." 

As for the band, Fan Death is a couple of ladies who make a brand of discotheque pop stylings of the type that I have never heard before. It's like modern disco, really. Very simple standard disco backing with two female voices singing over the top. Enough to drive you nuts if disco isn't your thing, but i have a little soft spot for disco music....(thanks mum), but not so much for this tune (bring on the Walter Murphy Band... ahem). 

There's not a lot of obvious information available as to where these ladies are from, so I can only assume that they are american and it appears there are no live shows on the horizon. Maybe they've gone to Korea to dispel the rumours.

Fan Death -http://www.myspace.com/fandeath

Sally

sally@weheartmusic.com

I arrived late to the Triple Rock, in Minneapolis, so I had already missed some of Surfer Blood (myspace / twitter). However, I did get the gist of the band, who seems like they are going to be a hot new buzz band - like Vampire Weekend. Highlight of their set was the last song, in which the guitarist brought the solo drum into the audience as everyone on stage went monkeys. (Sort of feels orchestrated to me, like they didn't really put much effort in trashing their equipments). The audience seem to welcome Blood Surfer, so it's all good.

Art Brut

Loads of Art Brut fans were in the audience that night. You can tell by all the t-shirt and their eagerness of being in front and center. When the band came on, doing "Formed a Band", which singer Eddie Argos turns to the audience and said, "you ought to try it, it's brilliant!"

Eddie looks like a guy that doesn't take himself too seriously. He seems to like to drink a lot and talk a lot (but with his thick British accent, it's not like we could understand half what was said). He seems to swagger on stage a lot, often using his left arm to illustrate the songs.

There wasn't enough room on stage for Argos to do his infamous microphone skip, but he did manage to sing half of "DC Comics" by the bar section. Speaking of which, I think it's cool that Argos is a huge DC fan - since UK comics are usually, you know, 2000 AD/Judge Dredd sort. During the song, Argos spouted out what I hear as "Christian Bale", "Booster Gold" (if I can remember, I think he was basically a janitor from the future with future tech and a Legionaires flight ring), and something about "Metropolis".

Setlist

As you can see from the setlist, they did a mix of new and old songs. The setlist also doesn't reflect what was played, for instance, I know "The Passenger" was played well after "DC Comics". I suppose the setlist was more of a rough guideline than actual instructions.... which actually fits the way Art Brut operate.

The thing about "The Passenger", from their latest album Art Brut vs Satan, is that it got this great introduction. Eddie explained how he thought the Iggy Pop song was about taking the subway, "Iggy doesn't seem to me to be the driving sort." It wasn't until later did he discovered that Iggy's song was about taking heroin in back of a limo with David Bowie. Too funny.

Oh the other thing, the way Eddie sings, if you can call it singing, is quite interesting. It's more like rambling, it definitely feels at time like The Fall - only with a lot heavier backing band.

The band left and came back with three encores. I thought I heard Eddie saying "we don't normally do this", which may have been said in an ironic kind of way. I really couldn't tell, all I know is that the encores were met by the fans' demands.

Art Brut's funk sole brother            1 comment

PS, They only had T-Shirts and CDs for sale at the merch table. I was hoping to see some of their awesome shoes. It's £20 online, which is about $40 USD, but totally worth it if you are a massive Art Brut fan. Get those shoes, and also their latest album, Art Brut vs Satan, at the usual online stores.

Taking a break from the usual live reviews of late, I will be doing some much-ignored reviews this week. Today's theme is all from the same record label.

Suburban Noize Records have been around since the mid-90s, catering to a very certain market of young hip hop, herb culture, and punk fans. We have a few items from them for review.

For starter, SubNoize Souljaz (myspace) is like the all-star supergroup, consisting of 15 or so Suburban Noize artists, including members of Kottonmouth King, Big B, and Jared Gomes (singer of Hed PE).

Their third album, Blast From The Past, just dropped late last August. While I am unfamiliar with some of these titles, I almost knew all the cover songs from hearing them on the radio. Except this album are all done in the style of that only Subnoize can deliver. With the variety of rappers and lead singers - the music is somewhat uneven, but at least the vocals stands out from each other. Particularly, I was impressed with Judge D's cover of LL's "Mama Said Knock You Out" and a funky The Dirtball's cover of RATM's "Microphone Fiend" (the bass is really good on this song) and Slick Rick's "Children's Story" by Daddy X.

It's evident that these guys owe a lot to influential bands that came before them (NWA, 2Pac, Snoop, Dre), so this album is a tribute to them. If you like old-school rap, particularly Death Row Records, as much as anyone that grew up in the 90s, you will definitely do yourself a favor and check out Blast From The Past.

Tour Dates 11/15/09 El Corazon Seattle, WA 11/16/09 Satyricon Portland, OR 11/17/09 DNA Lounge SF, CA 11/18/09 Boardwalk Orangevale, CA 11/20/09 Starline Fresno, CA 11/21/09 Modesto Virtual Modesto, CA 11/22/09 Chain Reaction Anahiem, CA 11/23/09 Karma Victorville, CA 11/24/09 Roxy Los Angeles, CA

Brokencyde, or seemingly nonsense caplock problem, brokeNCYDE (myspace), is also under Subnoize's screamo/punk label, BreakSilence Recordings. This sub-label also houses Eyes Set To Kill and Kill Paradise.

Anyway, Brokencyde is a "crunk"-core band (apparently this genre is a fusion of hip hop and electro, and possibly other genres like punk and rock). The band embrace the brand, and even have a song called "Get Crunk!".

The album actually did chart on the Billboard 200 at #86, which kind of impressed me, considering that many of the artists I hear about, they never chart. I think the high debut might possibly be due to their presence on this year's US Warped Tour. However, despite the success, the album was critically condemned. My favorite is (name redacted) review from NME: "even if I caught Prince Harry and Gary Glitter adorned in Nazi regalia defecating through my grandmother’s letterbox I would still consider making them listen to this album too severe a punishment." Critics who hates them, I don't think they understand that the album was meant for them... certainly the album is not meant for me. I am curious what the band will sound like when they've matured a bit. Although, I will have to confess that I did smile a bit when I heard "pee pee" sung on "Sex Toys" and "let's get retarded" on "Rockstar".

They look and sound very young (hey, FYI, their singer is called Se7en), which makes their debut album I'm Not a Fan... But the Kids Like It even more-so ironic. I did feel that despite their youngness, that some ALL of their songs with messages of drinking and sex, might not appeal to everyone. Then again, perhaps that's why "the kids like it". The real irony is that with all the cursing, you may have to be over 18 to purchase it.

Stronger songs on the album are: "Freaxxx" (with the catchy "let's get freaky" lyrics), and "Yellow Bus" (boasting about sex with groupies like Miley Cyrus??? WTF!).

If you don't mind the naughty messages, some autotune, some screamo, some electronica, check out I'm Not a Fan... But the Kids Like It at amazon.

Tour Dates 11/13/09 Budweiser Event Center* CO 11/14/09 Mid America Center*, IA 11/15/09 Uptown Theater* Kansas City, MO 11/17/09 Val Air Ballroom Des Moines, IA 11/18/09 Aragon Ballroom* Chicago, IL 11/19/09 The Fillmore* Detroit, MI 11/26/09 Grove of Anaheim, CA * with 311

Kottonmouth King (official / myspace) should need no introduction for any fans of Hightimes. The group found success in that "green" niche market, and is the flagship band on Suburban Noize label - possibly due to the record company being started by member Daddy X, and their manager, Kevin Zinger.

Their latest release is Hidden Stash 420, an epic 2-disc album. This is basically a collection of unreleased tracks, b-sides, remixes, demos. The packaging is also nice, it's a fold-out digipak. Hardcore fans will want to purchase the album directly from Subnoize Store or Best Buy stores, as that comes with a bonus DVD called The Lost Adventures of the Kottonmouth Kings.

While it's easy to just dismiss the band as pot smokers, that all their songs about weed, and although it's true, I believe they also deceptively paint a vivid picture of what their lifestyle is like. Check out tracks like "Take a Ride", as it describes California and family, all under a catchy chorus of "west coast is the place for me, never know what you'll see". But it's not all serious, there's a goofy song called "Late Night Call" with cultural reference of "me so horny", "facebook" and "myspace".

The collection is mostly older songs, and it's interesting to see some of their experiments. One song, "Tangerine Sky", seems like it's paying tribute to the Beatles LSD song "Lucy in the Sky with Diamonds". "Tangerine Sky" comes off as being more melodic and slower than most of their songs. The other non-conventional KMK is a poppy song "Let the Music Play". I wish I knew the story behind this song, but what I can tell you that it sounds very happy and 60s love. Perhaps Jackson Five?

Anyway, my favorites are usually the faster-constantly rapping songs with a loopy DJ backback, like "Evolution" and "Got It Get It". The later is a new Kingspade (a division of Kottonmouth King's rap duo, Johnny Richter and D-Loc) venture, which may be important for fans, as they haven't released anything under Kingspade in the last two years.

The Lost Adventures of the Kottonmouth Kings

The DVD portion is a Best Buy exclusive. The two hour DVD featuring the band on tour, music videos and various miscellaneous. The audio and video quality can sometime be quite poor (night-time shooting is always an issue) to quite good (see image capture of a great quality), and I think sometime the director overuses the fisheye lens. Still, can't complain too much since it's added value.

Hidden Stash 420 is out now. A perfect Christmas gift for any stoner in your family.

PB&J and El Perro del Mar ♥ photograph by Michelle

At Webster Hall, the perils of sitting in the VIP balcony often outweigh the perks. True, it’s the ideal place for a certified midget like me, and there’s a private bar and quasi-comfortable seating – but one must also put up with being asphyxiated by the many fog machines, the not-so-subtle orgies taking place on the couches, and that one skeezy guy who keeps trying to offer you a flask full of absinthe. (“It’s the nectar of Satan!”)

But last night the VIP balcony was the place to be since it was the location of a historic fist bump between me and Andrew W.K.

I already knew he was set to make a cameo during PB&J’s set, along with a slew of others, but I did not expect our paths to cross. I don’t know what compelled me to lamely offer him my fist the moment I saw him, but all that matters is that he returned it and all was right in the world. Then he left, and I immediately texted my 13 year-old brother, who soon lapsed into an envy-induced coma.

Anyway: PB&J. I have to admit, I was really there for opener, El Perro del Mar. I’ve become obsessed with her latest LP, Love is Not Pop, as it is the perfect soundtrack for long nights of procrastination. Although the crowd didn’t seem too familiar with her work, she won them over with her peculiar brand of melancholy dream pop. She stuck to songs mostly from her new album, including her mind-numbingly lovely version of Lou Reed’s “Heavenly Arms.” The absinthe guy next to us dismissed her as “vagina music,” but I was too distracted by my estrogen-fueled state of euphoria to care.

Swede-fest ’09 continued with PB&J, who announced that this was their 10^th anniversary tour. It was easy to distinguish who was who, as Peter was the one in the pink shirt, Bjorn was the one not in the pink shirt, and John was the drummer. It only got slightly confusing during the smorgasbord of cameos that took place throughout their set. Some made perfect sense (El Perro del Mar on “Young Folks,”), some not so much (an L.A. rap duo who remixed an unrecognizable song off of Living Thing). The final cameo was Spank Rock, who seemed like a solid addition to “Nothing to Worry About” but his appearance was much too brief and almost abrupt.

Obviously the most dramatic cameo of the night was Andrew W.K.’s “interpretive” dancing during “It Don’t Move Me.” He didn’t utter a single word the whole time, yet he left the audience virtually speechless. It was spastic and random but ultimately the best moment of the night.

As for the band themselves, they were in top form as usual. Since the last time I saw them in March, people have warmed up considerably towards their newer material and seemed to enjoy it equally as much as anything off Writer’s Block. The band eschewed slower stand-bys for faster, upbeat songs from their first two albums, and they ended the night with the infectious “Objects of My Affection.” I was kind of hoping they’d play the slow burning track, “Up Against the Wall,” but my friend told me not to be greedy. After all, one paradigm-shifting fist bump was good enough for one night.

J. Tillman @ The Music Box Theatre, Minneapolis, MN 11.6.09
+ abridged album review

J Tillman ♥ Music Box

Despite his minor fame with unpopular, critically-ignored Fleet Foxes, Josh Tillman has been active in the music scene since 2004.  This past September he released Year in the Kingdom, a 9-track odyssey through stoic mountain towns by way of moderate folk sensitivity.  Merely 28, Tillman evokes an image of timeless worldly servitude that befits his preferred musical genre but also confuses.  He acts the part in person—bearded, casually nondescript, a man of few words; yet once he hits that first note, it’s obvious there’s something judicious beneath the weathered layers.  For one, the quality of his voice is beautiful.  There is simply no masculine way to describe it.  The probability that Tillman drinks and indulges like a big boy is high, but you wouldn’t know by listening to him sing.  Perhaps the impressive facial shrub is actually a clever disguise, masking a sweet, even-tempered fellow who rescues kitties and bakes things for charity.  Doubtful, but my point being Tillman’s ambiguity—it’s equally believable that he wandered into town from the wide blue yonder as it is that he stumbled on stage from the local, artist-packed watering hole.

Year in the Kingdom remembers a simpler era that Tillman was not alive to experience.  Softer tracks cite 60s folk influences like Joni Mitchell, had Mitchell penned her songs in a humble log cabin, without basic comforts save for canned beans and a faithful canine companion.  The sparse “Age of Man” is a few twangs/few stringed instruments short of Americana territory, while “Though I Have Wronged You” reminds us that Tillman isn’t seriously concerned by FF comparisons.  At times matter-of-factly somber (“There is No Good in Me”), the album lulls its listeners into a false feeling of peace (albeit reflective, disquieting peace) that does not prepare the ears for the sheer force of Tillman’s live rocking.

Kingdom-the-album clashed awesomely with Friday night’s show at the Music Box Theatre in Minneapolis.  I now have a physical point of reference for the expression “it blew my mind,” as I’m pretty sure I lost a piece of my skull when Tillman blew my mind.  Similar to the structure of the studio tracks—gentle start, build-up, full instrumental progression—the show began as one would expect had they listened to Kingdom:  Tillman + band = traditional 3-dimensional engagement.  Then, maybe a third of the way into the set, all hell broke loose.  Cue roar of full instrumental capacity, skin-tingling whine of amped slide guitar, psychedelic transformation, and crazy apeshit thrashing.  On top of everything unholy, we, the audience, bore witness to grown men playing plastic recorders and finger cymbals. Surely I wasn’t the only one to lose some head mass by the end of the night.

Cerebral hemorrhage notwithstanding, strong tracks like “Though I Have Wronged You” sounded ridiculously swollen with intensity and deliberate flair.  Not showy, per se; rather, phrenic but perverted by foggy invention.  It was like walking into the Louvre for the first time—extraordinary but strangely unfocused, as if the senses were forced into overdrive.  Had I lapped a taste of Tillman’s sweat*, the experience would’ve been complete.  Unfortunately, there was no exchange of bodily fluids; there wasn’t even an encore (a mumbled “thanks” and the musicians made their hasty exit).  It didn’t matter.  How do you follow an act like yourself?

J Tillman ♥ Music Box, Minneapolis (11/06/09)

A few random thoughts without homes:  in high school, Tillman visited Crown, a conservative Christian college in St. Bonifacius, MN; Miracle Whip is the default condiment of Fargo, ND, this according to the band; Josh’s younger brother, Zach, opened the show and also played bass for the elder Tillman’s set.

J. Tillman is currently on tour in support of Year in the Kingdom.  Upcoming shows include stops in Chicago and New York.  For more information or to listen to select tracks, visit his Myspace at http://www.myspace.com/jtillman. 

* I’m not a creeper, promise.